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　　1.我以为文学是人类的一种多环节的精力活动。这是一种人们专注于作业的活动。广义文学包括四个要素：世界、作者、文本、读者和三个过程：体验、创造和承受。文本对审美对象是真实的作品，没有文学超越阅览。

　　2.我以为，读完一部文学作品，通常没有马到成功的作用，但一个人的性格涵养和内涵都是这样积淀起来的。阅览对一个人的影响是缓慢而深刻的。或许读一本书对你不好。但在咱们的年月里，它慢慢地像流沙相同渗透开来。“被视为文学的体裁与日常行为有着不同的联络。”（第一章）在读了契诃夫的《变色龙》之后，我觉得我或许永远不会像奥库洛夫那样势利，或许偶尔势利，后来我记住我会脸红。艾德·契诃夫的小说。我信任我的部分世界观来自于什么，我便是什么。

　　3.“争辩是对每一个参与的人进行调查的过程。你和你的听众或许终究都会改变主意。”依据我的个人经历，我鼓舞我的一些朋友参加我的准备作业，咱们从文学中学习，这是一件十分全面的事情。它能够导出到我几乎一切人文学科的基本概念。

　　4.文学也不是作者的经历（创造意图）。在回答这个问题时，有人说了“故意的过错”。这能够归因于弗莱的评论：“易卜生对易卜生自己的作品只是一个十分糟糕的批评家。”大家都知道，“娃娃屋”是易卜生的创作，但他喜欢自己的二流戏曲。

　　1. I think literature is a multi-linked spiritual activity of human beings. It is an activity where people focus on works. Broad literature includes four elements, world, author, text, readers and three processes, experience, creation, and acceptance. The text to the aesthetic object is the real work, and there is no literature beyond reading.

　　2. I think that after reading a literary work, there is usually no immediate effect, but a person's character cultivation and connotation are all accumulated in such a way. The impact of reading on one person is slow and profound. It may be that reading a book is not good for you. But throughout our years, it slowly penetrated like quicksand.“The genres regarded as literary are tied in othe ways to everyday behavior.”(chapter 1) After reading Chekhov's "Chameleon", I felt that I might never be snobbish like Ochulov, or occasionally snobbish, and later blush as I remembered Chekhov's novel.I believe part of my world view are from whatI read, I am whatI read. 

　　3. “Arguing is a process of inquiry of inquiry for every oneinvolved.Both you and your audience may wind up changing your minds” For my personal experience, I encouraged some of my friend by joining my readying and we learn from literature, sinceis a very comprehensive thing. It can export to my basic concepts of almost all humanities. 

　　4. Literature is also not the author's experience (creative intentions). Someone in the answer to this question said "intentional errors." This can be attributed to Frye's remark: "Ibsen is only a very bad critic for Ibsen's own work." Everyone knows that "A Doll's House" is a masterpiece of Ibsen, but he likes his own second-rate drama.

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